Commune by the Great Wall, an upscale Chinese housing development, is marketing
itself as "collectible architecture." Twelve of Asia's star architects
have been commissioned to design houses, such as this one (above) by Japanese
architect Shigeru Ban.
There's excitement in the air in China. As the country buys into the market
economy, its cities teem with scaffolding, cranes, and the sounds of construction.
In Beijing the hutongs (winding alleyways between low tiled roofs) of the
Ming dynasty are being displaced by skyscrapers, seemingly overnight. But
too often the traditional is giving way to the unoriginal. What emerges
from the scaffolding is usually just another cookie-cutter condominium in
a sea of cookie-cutter condominiums.
Husband-and-wife developers Pan Shiyi and Zhang Xin are rushing in where
others are too busy to tread and building a business niche for themselves
in the process. Their latest project--the Commune by the Great Wall housing
development, an hour's drive from Beijing and only six miles from Badaling,
the most heavily visited section of the Great Wall--features the designs
of 12 of the best and brightest architects of Asia. "These young architects
are ready to challenge the conventional concept of architecture," Zhang
has said. "Their designs often have the power to change the ordinary
patterns of living." They are Mainland China's Yung Ho Chang, Cui Kai,
and Antonio Ochoa; Hong Kong's Gary Chang and Rocco Yim; Taiwan's Chien
Hsueh-Yi; Japan's Shigeru Ban, Kengo Kuma, and Nobuaki Furuya; South Korea's
Seung H-Sang; Singapore's Kay Ngee Tan; and Thailand's Kanika R'kul. With
the exception of Ban and Gary Chang, few are known in the West.
In China the word commune often evokes uniforms, canteens, and hard labor
in the fields, but at $500,000 and 4,000 square feet, these homes are
instead weekend retreats for the well-to-do. Pan and Zhang are betting that
having a one-of-a-kind house designed by a rising star will become the ultimate
status symbol for the nouveau riche. (The sales pitch reads, "Collect
the art of architecture.") The first phase, consisting of 11 houses
and a clubhouse, will open by the end of the year; to promote the project
the developers are turning them into a hotel. If that proves successful,
a second phase will add another 40 houses. According to Rocco Yim, the Commune's
master planner, the project has already garnered interest for a simple reason:
"The concept of individual architects designing for a unique site has
itself generated anticipation."
The development's proximity to an iconic act of building (the Great Wall
is visible from most of the houses) demands that the designs rise to the
occasion. "If you don't do it right," Yim says, "you could
destroy the ambience of the setting. With twelve architects working here,
you need sufficient dialogue between them to create a cohesive environment.
The landscape becomes the unifying factor." Indeed many of the architects
interpret the idea behind the name "Commune" in terms of individuals
communing with nature, not one another. For example, Yung Ho Chang's Split
House is halved by a creek that ultimately runs beneath the glass-floored
entrance room. Many of the architects were equally sensitive to Chinese
traditions, incorporating local materials and traditional building methods.
Shigeru Ban devised a bamboo-veneer lumber; Yung Ho Chang uses rammed earth
for the walls. And Kengo Kuma draws inspiration from the nearby engineering
marvel itself: his Wall House features a bamboo partition running the slope
of the site, much as the Great Wall follows the ridges of the Shuiguan mountains.
A stay at the Commune Hotel should prove irresistible to potential buyers.
"Being able to wake up in the morning and jog to the Great Wall for
exercise and then back to the house for a shower in a matter of minutes
is a real luxury," says Gary Chang. Where else can you experience one
of the world's great wonders as part of a day's routine?