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C<\/strong>an architecture wiggle out of the white box? Can cats, dogs, butterflies, and parakeets be clients of architecture? Are there new ways of building sustainably outside of the usual green design clich\u00e9s? <\/p>\n\n\n\nThese are among the provocations of Barcelona-based TAKK, a research-led architecture practice founded by Mireia Luz\u00e1rraga and Alejandro Mui\u00f1o. Beneath the vivid pink structures and avant-garde installations that have become emblematic of the celebrated 14-year-old studio lies an earnest interrogation of the role of architects during fragile times.<\/p>\n\n\n\n
Luz\u00e1rraga and Mui\u00f1o, who met while working at an architecture firm in Madrid in 2008, have been interested in alternative routes for their profession since their graduate studies at the ESARQ-School of Architecture. Exposed to contemporary theorists, the duo, who teach and lecture widely, are entrenched in modes of thinking that \u201cdecenter human exceptionalism,\u201d as they put it. <\/p>\n\n\n\n
The two designers\u2019 affinity for \u201cpost-human\u201d constituents has led to a series of public installations such as a shelter for Rome\u2019s stray cats for the 2022 Festival dell\u2019Architettura di Roma; a shared climate shelter meant for weary pedestrians and the 15 species of birds that circumnavigate Barcelona\u2019s famous La Rambla; or a curious \u201ccyborg garden\u201d perfumed with aphrodisiac plants to encourage romantic crossovers between birds, insects, and humans at a notorious urban heat island in the Matadero Madrid. Their concern for nonhumans also manifests in a 2021 home renovation project in Madrid in which a bedroom is raised on stilts to give the family cat (and a toddler) some crawl space. <\/p>\n<\/div>\n\n\n\n
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PINK MOUNTAINS\nAn addition to the Santa M\u00f2nica Arts Centre terrace, this large roof structure softens the climate conditions of its asphalt and concrete surroundings in Barcelona. The shaded space contains branches and a central garden that welcomes birds, insects, and pollinators while cooling the temperature of the complex.<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n\n
TAKK, which gets its name from a cherished album by the Icelandic band Sigur R\u00f3s, demonstrates how intractable issues like ecology, inclusivity, and feminism can be approached with imagination, ingenuity, and a sense of play. Eschewing the tropes of modern architecture, their public installations, some of which are parked at their studio-workshop in L\u2019Hospitalet de Llobregat, contain a riot of ornament, color, and textures\u2014bricolages of mussel shells, houseplants, poly foam, recycled wood, mesh, and chains. <\/p>\n\n\n\n
Their exuberant aesthetic choices are strategic, explains Luz\u00e1rraga: \u201cWe know that people will likely spend very little time with our installations and we need to capture their attention to engage them in the topic. We use bright colors and engaging aesthetics in the hopes of coaxing them to stay a little longer.\u201d<\/p>\n<\/div><\/div>\n\n\n\n
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THE GARDEN FOR ROMANTIC CROSSOVERS\nPart of an exhibition shown at Matadero Madrid, this \u201ccyborg garden\u201d was designed to link humans, animals, biological entities, and technology. Through architectonic nature-based solutions like this one, TAKK hopes to encourage the rethinking of public space in relation to climate change and mitigate the heat island effect.<\/figcaption><\/figure>\n<\/div>\n\n\n\n\n
THE DAY AFTER HOUSE\nFor its renovation of a 1,184-square-foot apartment in Madrid, TAKK worked with thermal gradients rather than following traditional schemes when designing the programmatic configuration of the house, and used primarily low-CO2-emission materials like wood and natural cork. <\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n\n
Compared with their speculative works, TAKK\u2019s built projects contain subtler, yet no less radical, provocations. For instance, the aforementioned cat-friendly apartment renovation in Madrid, dubbed \u201cThe Day After House,\u201d offers a radical rethink of sustainable living. Through a careful study of the location\u2019s natural climate and the inhabitants\u2019 routines, TAKK transformed a standard 1,184-square-foot space into a low-carbon dwelling with two living zones. The \u201cwinter\u201d area is well insulated and more finished, while the \u201csummer\u201d section was essentially left as raw space and opened to the elements. TAKK has also deployed these tactics in a low-cost home renovation in Barcelona called \u201cThe 10K House\u201d to demonstrate how building ecologically and beautifully is possible on any budget. <\/p>\n\n\n\n
From the beginning, Luz\u00e1rraga and Mui\u00f1o\u2019s architecture practice has been intertwined with their teaching careers. Luz\u00e1rraga, who is currently on the faculty of the Columbia University Graduate School of Architecture, Planning and Preservation, says she\u2019s optimistic that the current generation of architects is more aware of their agency. \u201cWhen I was studying, architecture was a pure exercise of style, aesthetics, and composition\u2014it had no social dimension. I think the current generation is getting wiser. They have an awareness about this [ecological crisis],\u201d she explains.<\/p>\n\n\n\n
\u201cI hope they embrace the fact that the role of architecture is no longer about building in alliance with the real estate market. As architects, we have other responsibilities and other skills.\u201d<\/p>\n\n\n\n