{"id":58805,"date":"2015-06-01T10:38:00","date_gmt":"2015-06-01T10:38:00","guid":{"rendered":"https:\/\/metropolismag.com\/projects\/fondation-louis-vuitton-artistic-director-suzanne-page-frank-gehrys-genius\/"},"modified":"2022-05-05T22:00:28","modified_gmt":"2022-05-05T22:00:28","slug":"fondation-louis-vuitton-artistic-director-suzanne-page-frank-gehrys-genius","status":"publish","type":"metro_viewpoint","link":"https:\/\/metropolismag.com\/viewpoints\/fondation-louis-vuitton-artistic-director-suzanne-page-frank-gehrys-genius\/","title":{"rendered":"Q&A: Fondation Louis Vuitton Artistic Director Suzanne Pag\u00e9 on Frank Gehry’s Genius"},"content":{"rendered":"

\"\"<\/p>\n

The Fondation Louis Vuitton, which is located in Paris\u2019s Bois de Boulogne\u2014the former hunting ground for the kings of France that is now recreational parkland.<\/h4>\n

Courtesy Iwan Baan<\/h4>\n
\n

As today\u2019s contemporary art world continues to expand at an extraordinary rate, a new breed of \u201csuper\u201d curators is transforming the traditional museum and gallery experience through an artful blend of modern architecture and innovative exhibitions. At the Fondation Louis Vuitton<\/a> (which opened late last year), artistic director Suzanne Pag\u00e9 recently unveiled Keys to a Passion<\/em><\/a>, the third part of the museum\u2019s phenomenally successful inaugural exhibition that drew more than 500,000 visitors in its first five months of operation.<\/p>\n

Metropolis<\/em> speaks to Pag\u00e9 about working with Frank Gehry during the early design stages of the Fondation Louis Vuitton to help create one of the most exciting and creative spaces in the city.<\/p>\n

Catherine Shaw: What kind of a curator are you? <\/strong><\/p>\n

Suzanne Pag\u00e9: I am a total believer in art and have a very specific background in curatorship. I have learned everything from art and artists. As time goes by, I believe more and more in the power of the museum.<\/p>\n

CS: How involved were you in the design of the Fondation\u2019s exhibition spaces? <\/strong><\/p>\n

SP:\u00a0I was very much involved in the architectural design of the building and in constant dialogue with Frank Gehry about the design elements. The lyrical momentum of the building provides a vibrancy and dynamism for what we do here. This exhibition of an unprecedented selection of major works that have shaped the history of modern art also resonates with the power of the building. What all these works share is that, in their respective eras, they all \u201cbroke the rules\u201d of art. The themes of the exhibition\u2014subjective expressionism, contemplative, popist, and music\u2014also align with the Fondation\u2019s mission as a multidimensional cultural destination.<\/p>\n

CS: Was working with Frank Gehry different from how you usually work with artists? <\/strong><\/p>\n

SP: First of all, Frank Gehry is a genius and that is why Bernard Arnault selected him. It is always exciting for an artist\u2014and for me it has been personally thrilling\u2014to work with a genius. He is a fantastically interesting man as well as an artist. The only thing you can blame him for is that you cannot resist liking him!<\/p>\n

\"\"<\/p>\n

The Fondation building was commissioned by LVMH chief Bernard Arnault, with the first conceptual designs begun in 2004.<\/h4>\n

Courtesy Iwan Baan<\/h4>\n
\n

CS: Tell us about how the current exhibition, Keys to a Passion<\/em>, was influenced by the series of physical spaces created by Gehry. <\/strong><\/p>\n

SP: This exhibition offers an opportunity to display works that are often famous yet not so well-known. At once keys and references, these works also introduce the contemporary art collection\u00a0of a foundation acutely aware that art is integrated in history, and which voluntarily references art through disruptive works. This raises other equally essential questions: How does a work that is iconic, or has become an icon, sustain its ability to have such transcendent power to affect over time? Does the sensorial, responsive, and emotional approach become, in itself, a medium of thought, or surpass thought, or spur a different thought? Does this require a truly empathetic dialogue with the visitor and with the physical and temporal space unique to the museum to allow the emergence of veritable \u201cpresences\u201d revealed with the \u201caura\u201d of the works? Everything in the exhibition has a dedicated area protecting the singularity of the art, but also coexists and is deliberately positioned so that each can be experienced individually among the collective arrangement.<\/p>\n

CS:\u00a0When the museum opened, its innovative design drew a lot of criticism, and there are already a number of spaces devoted to contemporary art in Paris. What does the Fondation offer to Parisians and visitors? <\/strong><\/p>\n

SP: That\u2019s a good sign. There was mainly positive criticism, and the others were simply jealous. That is the art media. The design of the Fondation is different and not everyone will like it, but that\u2019s what I am looking for. In Paris, there are so many extraordinary museums, like the Centre Pompidou, and a variety of private initiatives. The point to remember is that this Fondation is very different from anything else. Its main aim is to show fine art, but all sorts of different media\u2014including architecture\u2014 is also part of it. Architecture is also an expression of contemporary art, so, of course, we would not rule it out. The remit of the Fondation is to combine architecture, contemporary art, and historic works.<\/p>\n

\"\"<\/p>\n

Pag\u00e9, pictured inside the Fondation Louis Vuitton.<\/h4>\n

Courtesy Luc Castel<\/h4>\n

CS: Museums are changing dramatically\u2014how does that affect the way you curate and approach your work? <\/strong><\/p>\n

SP: Today, people go to museums looking for meaning and I am glad we can provide that, even if they have to work hard for it. The Fondation is not just about answering questions. It is also about asking questions and this contributes to participation. Art and museums today have to separate us from daily life\u2014all visitors have to experience something special because we are looking for a suspension of time. In a museum, you want to have a true dialogue because these artworks are something sensorial. It\u2019s also about creating an emotional dialogue with the art. Our current exhibition brings works from many different exhibitions, so we have a real encounter with art in four devised sequences rather than the more usual linear chronology. We want visitors to experience the aura of each artwork. To me, it is very important that Keys to a Passion<\/em> is about this required dialogue between the art and visitor. In my experience, the visitor can discover a new world, a treasure, through this. The initial dialogue was started with the building created by Frank Gehry, which is an artistic statement and part of the heritage of Paris.<\/p>\n

CS: Will the Fondation continue to work with architects and designers in the future? <\/strong><\/p>\n

SP: Yes, there are plans for an outpost of the Fondation in Beijing this June. It will open with an exhibit of Frank Gehry\u2019s work on the Fondation Louis Vuitton in Paris.<\/p>\n

CS:\u00a0What is it like to work in the Frank Gehry building? Is it inspiring? <\/strong><\/p>\n

SP: I was the head of the Mus\u00e9e d\u2019Art Moderne de la Ville de Paris for 18 years and I still have exactly the same beliefs, but this building creates such a strong momentum that it makes you want to work at a higher standard. It challenges you.<\/p>\n","protected":false},"excerpt":{"rendered":"

The curator and artistic director of the Fondation Louis Vuitton on Frank Gehry’s genius and how the new museum is “very different from anything else”<\/p>\n","protected":false},"author":43,"featured_media":18864,"menu_order":0,"template":"","meta":{"_acf_changed":false,"featured_image_focal_point":[],"legacy_WP_ID":null},"tags":[178,666,106,96],"metro_tax_domain":[8],"metro_tax_topic":[13],"metro_tax_program":[],"metro_issue":[],"metro_cat_viewpoint":[],"internal_flag":[],"class_list":["post-58805","metro_viewpoint","type-metro_viewpoint","status-publish","has-post-thumbnail","hentry","tag-frank-gehry","tag-louis-vuitton","tag-museums","tag-qa","metro_tax_domain-cultural","metro_tax_topic-architecture"],"acf":[],"yoast_head":"\nQ&A: Fondation Louis Vuitton Artistic Director Suzanne Pag\u00e9 on Frank Gehry's Genius - Metropolis<\/title>\n<meta name=\"description\" content=\"The curator and artistic director of the Fondation Louis Vuitton on Frank Gehry's genius and how the new museum 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