December 14, 2021
In Sweden, the Sara Kulturhus Expands the Possibilities of Mass Timber
“To make use of wood in this place was a logical choice to us,” says Oskar Norelius, partner at White Arkitekter. “But once we decided, we also wanted to go all the way and see what’s possible.” They had to be inventive: Hotel rooms were prefabricated as self-supporting boxes, including bathrooms, installations, and facade. On-site, these boxes were stacked between the two elevator cores (also wooden) at either end of the building. From the pillars on the ground floor to the doorknobs, railings, ceilings, and acoustic wall panels of the various auditoriums, the material is omnipresent. This wood core is sheltered from wind and weather within a glass shell that acts as a sort of display cabinet.
More from Metropolis
Illuminated in the long night of the far north, a place that stays in darkness almost half the year and boasts annual average temperatures of 38 degrees Fahrenheit, Sara glows softly inside its vitreous case, an icon of wood renaissance.
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Studio Terpeluk’s Redwood House Pays Homage to Albert Lanier
The San Francisco–based architecture firm breathes new life into a notable Modernist home.
Dolores Hayden on the Politics of Care
Following her recent Vincent Scully Prize win, the architect and urban historian spoke with Metropolis about the infrastructure of care, material feminists, and aviation poetry.
UCLA’s 1959 Botany Building Is Transformed into a Quiet Gem
CO Architects led an effort to refresh the Paul R. Williams–designed building, bringing in light and adapting the space for modern educational needs.