A New Film Calls Designers to Mimic Nature

Biocentrics, a new documentary by directors Ataliba Benaim and Fernanda Heinz Figueiredo, challenges designers to go back to the basic innovations of the natural world.

Rip off nature. Forget the copyright or intellectual property, and use the genius that’s already there. That’s what a new documentary about biomimicry advocates. Whether in the form of Oscar Wilde’s plagiaristic imitation disguised as sincere flattery or “work smarter, not harder” cliches, the Earth has already figured out what designers need to know.

Brazilian directors Ataliba Benaim and Fernanda Heinz Figueiredo point this out in their new documentary Biocentrics, which is set to premiere at The Architecture & Design Film Festival at the end of September in New York.

The documentary is centered around the work of American author and biologist Janine Benyus, an advocate for using the 3.8 billion years of evolutionary innovation to inspire design systems that work alongside the planet’s processes. In 1997, Benyus wroteBiomimicry: Innovation Inspired by Nature, and went on to found The Biomimicry Institute, a nonprofit based in Missoula, Montana, in 2006.

How Biomimicry is Innovation Inspired by Nature

The architecture, engineering, and construction sectors are among those that generate the most environmental impacts and carbon emissions. Those sectors “have much to learn and be inspired by the biomimetic view of forests and natural ecosystems when creating new projects, materials, and ways of building,” co-director Fernanda Heinz Figueiredo said.

From the Costa Rican shoreline to the Brazilian rainforest, the film follows researchers studying natural micro innovations — like the self-watering and self-shading ingenuity of a bromeliad clinging to a rocky cliff that fosters a tiny wetland for frogs or a crab’s springy hinge-like legs that allow it to collapse when it needs shelter — and challenges viewers to channel a child-like curiosity of how and whythe natural world functions as it does.

The Love Good Color methodology has been used by designers from various firms including Gensler, IA, Adobe, Rockwell Group, Atlassian, and Studio O+A.

Putting Life at the Center of Design Decision-Making

Biocentrics employs audio interviews laid over gritty field work and up-close, vibrant nature clips in order to have a more intimate relationship between the interview subject and the environment. The approach celebrates “ordinary people who chose nature as their mentor,” rather than creating an accessibility barrier to scholarship through talking heads-style lectures on sustainability.

In the film, Benyus notes that “we haven’t put life at the center of our decision-making,” and that a transdisciplinary approach to design is a tool for tackling imminent and urgent global challenges.

Additionally, “we need to reflect on the concept of ‘sufficiency’ to replace ‘efficiency’ in the use of materials,” Figueiredo said, challenging viewers to reconsider what materials are being used for, rather than just how they are extracted, to reduce accumulation and waste. 

“Circular economy, which is also inspired by nature’s life cycles, along with the economy of care — in this case, care for Mother Earth — are there to help us put all of this into practice,” she said.

The film suggests that, rather than wallowing in the guilt of the destruction the civilized world has done to the planet, we can revert to a reciprocal way of living. The natural world creates conditions that are conducive to life, and we can “return the favor” of what the world has given us by designing in a way that does the same. 

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