DEMETER’S AMNION In this project Sophie Pacelko draws on her background in environmental and soil science to explore the marine phenomenon known as red tide. “A repercussion of rising ocean temperatures, red tide moves along coastlines, creating barriers between the sky and the depths of the sea, land, and the vastness of the ocean,” she says. Her proposed embassy moves as the blooms do, wandering the world’s interconnected oceans to repair the damage.

Students Imagine New Ways to Deepen Our Connection to Our Environment

Three Future100 students seek to expand our limited understanding of what the built environment is, and what else it could be.

From bringing the nonhuman world to life through myth to engaging with the wild animals that exist at our cities’ edges and designing multifaceted sensory experiences, this year’s crop of METROPOLIS Future100 architecture and design students are challenging and inspiring us to make room for more meaningful interactions with the larger world around us. Three speculative design projects reorient humanity by suggesting new ways to embrace the interconnectedness of things. 

For her project Demeter’s Amnion, Sophie Pacelko, graduate architecture student at the University of Michigan, draws on her background in environmental and soil science to explore the marine phenomenon known as red tide. Compelled by its “temporality, movement, toxicity,” she looked to myth to wrap her mind around the issue’s amorphous boundaries. “The amnion metaphor links how we create life and how the earth creates life,” she says. “It’s important to think of systems as full, interconnected, and related. The red tide doesn’t emerge in Florida because of Florida alone. It’s a result of a range of larger forces, including capitalism, industrialization, and the constant extraction [of precious materials] from the earth.”

Using the tale of Persephone’s descent to the underworld of Hades to illustrate the red tide’s power to destroy natural cycles, Pacelko’s design weaves spiritual, mythological, scientific, and artistic thinking into a multifaceted system of interconnected maps, charting a sailing embassy that follows the toxic tides. By anthropomorphizing natural phenomena, she hopes to accelerate a broader cultural awareness of the rights and laws of nature. 

render of an abstract structure
LATRANS COHABITATOR Kirah Cahill’s Latrans Cohabitator gives an example of what our world might look like if humans shared their homes with coyotes. “It was important to provide a structure that would simulate the denning instincts of the coyotes,” says Cahill. “I also wanted the structure to be immediately identifiable to people as a symbol of the environment, and of the human connection to nature.”
Illustration  of a building with four people inside exploring
NOTES + NOTIONS Jessica Wilsey’s Notes + Notions Fragrance Lab is designed to foster an understanding and appreciation of the symbiotic relationship between fragrance and music. Users will explore how fragrance compositions can be likened to musical compositions, with different notes either blending or clashing in a “symphony of scents.”

University of Pennsylvania graduate architecture student Kirah Cahill also turns her attention to the nonhuman world. Latrans Cohabitator portrays an elegant, detailed example of what our world might look like if humans shared their homes, harmoniously, with wild coyotes. The imaginative design for the multispecies dwelling helps tell the story of how coyotes have coexisted, mostly unseen, at the edges of human civilization for centuries. Modeled on the way coyotes build dens in the wild, the Latrans Cohabitator addresses the problem of isolation from the inside out: Its craggy, boulderlike form is laced with functional hidden tunnels organized in a system that accounts for both creatures’ daily needs and cyclical movements. 

Cahill wants to dismantle the mental barriers that block humans from understanding plants and animals as living creatures. It’s about challenging the cultural norm that “nature is seen as a separate, often threatening entity that must be carefully controlled.” By imagining a built environment that serves and protects two species simultaneously, the Latrans Cohabitator offers a new way forward: What if we extended our sense of safety and comfort to the other forms of life surrounding us? 

Embracing the more ephemeral aspects of interior design, Jessica Wilsey’s Notes + Notions highlights the interplay between two primary senses, smell and sound. Her project embraces a moving, multisensory narrative that feels both vivid and immersive—“akin to the complex layers of a symphony or a richly composed fragrance,” says the University of Texas at Austin graduate interior design student. Her Notes + Notions “Fragrance Lab,” designed to foster and celebrate the symbiotic relationship between two lesser-used senses, plays with the rich synesthetic and emotional links between smell, sound, memory, and imagination. “I find the synchronicity between smell and sound to be profoundly rooted in their ability to evoke memories, emotions, and sensations without the confines of visual or tactile boundaries. Both can transport us to different times and places, evoking a sense of atmosphere and mood that is ethereal and deeply personal,” says Wilsey.

The design demonstrates how different senses interact to inform and inspire not only how we feel but also our sense of space (i.e., how we feel in a particular environment at any given time). Notes + Notions uses the acidic sweetness of citrus and the dry heat of burning cedarwood to evoke sultry southwest Texas heat, offering visitors a multifaceted examination of feeling and place, where internal and external connections can inspire new ways of creating.

Each project offers a new way of embodying and moving through the built environment by paying close attention to the interplay of the senses and experiences of all beings. 

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