
October 18, 2021
A Brutalist Building in Harlem Gets Updated to Connect with Its Neighbors
“These things don’t happen with just a sign. They happen with the spatial, temporal engagement with a space.”
Celia Imrey, architect

As Imrey discovered, the Franzen building, which was completed under Maynor’s leadership, was a terrific example of Brutalist strength on a modest scale. But some of the qualities that made it a gem of its time were no longer serving HSA. Most significantly, Franzen had designed an impenetrable brick facade with a hidden, curved Corbusian entrance. The wall provided a physical and psychological shield from the city. Now it was inhibiting an exchange and connection between students and the neighborhood. It also posed a security risk by preventing students and staff from seeing activity outside the building during drop-offs and pickups.
With the help of a team of engineers and specialists made up of 85 percent women- and minority-owned firms, and architect of record Eric K. Daniels, Imrey conceived a plan that removed the brick facade and replaced it with a glass curtain wall that could provide views through the main lobby out to Franzen’s rear garden, which is anchored by a rugged schist wall. They succeeded in persuading Pryor and the project’s benefactor, legendary trumpeter and bandleader Herb Alpert, to bring that vision to life.
The $9.5 million face-lift opened in September 2020 and touched almost all of the school’s public spaces, including the canted metal-and-glass storefront, a gut renovation of its two-story atrium lobby, the addition of a pantry and café, a security area, and numerous infrastructural upgrades.
Outside, a concrete ramp and terrace offer a soft transition from the street to the building. “It creates a psychology of belonging, and that is so important to me,” says Imrey. “These things don’t happen with just a sign. They happen with the spatial, temporal engagement with a space.”
Would you like to comment on this article? Send your thoughts to: [email protected]
Latest
Viewpoints
Milan Design Week 2026: Beyond the Spectacle
Milan Design Week 2026: Beyond the Spectacle. Has design’s biggest event become all flash? Looking past brash brand activations and frivolous displays of stylistic flex, can one still find substance?
Projects
BLDUS Unveils a Cork-Wrapped Home in a Washington D.C. Alley
Adjacent to another BLDUS project, the house is made of locally sourced redwood, cedar, black locust board, and Bamcore Eucalyptus panels.
Viewpoints
11 Tools Transforming Sustainable Design
The METROPOLIS Interface U.S. Sustainable Design Report 2026 highlights technologies, systems, and approaches helping teams streamline their work and tackle complexity.




