A high-rise built from trees—and waste. Denmark’s tallest timber tower turns discarded wind turbine blades into architecture. Credit: Rasmus Hjortshoj, courtesy: TRÆ, Lendager

Denmark’s Tallest Timber Tower Tests Circular Construction at Scale

In Aarhus, the 20-story TRÆ development by Lendager pairs a mass-timber structure with a broad palette of reclaimed materials to test a pragmatic model for low-carbon high-rise construction.

In Denmark’s second-largest city, a former industrial harbor—now redeveloped as a mixed-use district— hosts a roughly 260-foot-tall building that confronts one of architecture’s hardest questions: can the high-rise, arguably the most carbon-intensive urban typology, be rethought as a circular, low-emissions system?

Recently completed, TRÆ is now recognized as the nation’s tallest timber structure, with mass timber at the heart of a broader experiment in material reuse and construction logistics across its approximately 3.62-acre development. The project is conceived as a prototype for how dense urban construction might reduce its dependence on carbon-intensive materials.

TRÆ tests a new model—mass timber + circular materials at scale. Credit: Rasmus Hjortshoj, courtesy: TRÆ, Lendager

The name is the brief. In Danish, træ means tree, timber, and three—capturing the project’s biogenic material, ecological ambition, and trio of interconnected volumes. The rounded towers rise from a compact site, maximizing daylight while forming a sculptural waterfront presence. T1 reaches 256 feet and is joined by two six-story volumes. All are structured with cross-laminated timber (CLT) slabs and glulam columns anchored by concrete cores. The hybrid system balances timber ambition with structural and regulatory demands.

The three-building composition creates permeability rather than monumentality. An undulating pedestrian bridge links the ground plane to Aarhus’s emerging “highline,” while active ground-floor uses—including a socially operated restaurant—and a meandering exterior walkway draw people through the site.

Credit: Rasmus Hjortshoj, courtesy: TRÆ, Lendager
Credit Anders Nymann Wejse, courtesy: TRÆ, Lendager

Aligning with Lendager’s philosophy—form follows availability—the project treats the building as a material ecosystem rather than a fixed palette. “My context is a world full of resource problems that need to be converted to resource potentials,” says Founder & Creative Director Architect Anders Lendager.

One of the most visible examples is the reuse of decommissioned wind turbine blades, cut and adapted into exterior sun-shading devices. Their incorporation required extensive fire testing and façade adjustments to prevent flame spread——illustrating the regulatory hurdles involved in transforming waste into viable building components. “Burning it or putting it in the ground is environmentally insane, but it’s an insane big potential,” Lendager says.

In addition, the project links social and environmental sustainability. Local homeless residents were involved in aspects of site life and maintenance, and the development hosts volunteer initiatives that provide daily meals for families in need.

Credit Anders Nymann Wejse, courtesy: TRÆ, Lendager
Credit Anders Nymann Wejse, courtesy: TRÆ, Lendager

“If we create something we call very sustainable and that life doesn’t exist inside it, we have totally missed our purpose,” Lendager says.
Significantly, the team chose not to pursue formal sustainability certification, instead following a value-driven framework that allowed environmental strategies to evolve alongside design development and technical testing—an approach that privileges measurable outcomes over checklist compliance.

Measured against a conventional concrete benchmark, the project achieved a 26 percent reduction in CO₂ emissions, with 21 percent attributed to timber-led design and 5 percent to the integration of reused materials.

Credit: Lendager
From wind turbines to façade: Retired blades find a second life as solar shading in Aarhus. Credit: Lendager

“It totally rethinks the whole value chain and what is possible to do at this point,” Lendager says.

As he sees it, projects like TRÆ must act as lighthouses for the industry—visible examples showing not just what is possible, but what is at stake if building practices fail to change.

This 20-story tower proves waste can shape the skyline. Credit Anders Nymann Wejse, courtesy: TRÆ, Lendager

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