A person with long brown hair stands facing a wall covered in rows of colorful abstract watercolor paintings.
Color Studies by Kaia Burg: This expressive artwork showcases Burg’s distinctive visual language through bold shapes and saturated hues. The repeating forms celebrate experimentation and joyful spontaneity. In her work, Burg distills personal experiences and interests into simplified shapes, arranging them in dramatic compositions that stretch to the edges of the image plane. Burg has practiced at Interact since 2021.

Momentum Partners with Interact Center to Empower Artists with Disabilities

A collaboration with the Minnesota nonprofit brings nine artists’ work to Momentum’s Digital Art Library, connecting commercial design with a broader vision of accessibility and human expression. 

I first met Devin Wildes’ at METROPOLIS’ inaugural Design for Neuroinclusion Summit this past summer, where we were both presenting our work and experiences as two people on the autism spectrum. In the autism community, Wildes is what some call an “unreliable speaker” but that didn’t stop him from communicating a powerful message about designing for neurodivergence. After showcasing his extensive portfolio of drawings, sculpture, and collage, he said to the audience (during a standing ovation): “We have work to do.”  

Momentum is one example of a company that is doing that work in commercial interiors.  

A person sitting on the floor surrounded by several sheets of hand-drawn and painted artwork.
Interact x Momentum 2026 Collection

Known for its history in artist and architect collaborations—from Yinka Ilori to Shantell Martin—the textiles and wallcoverings manufacturer has been working with St. Paul, Minnesota’s Interact Center for the Visual and Performing Arts since 2025 to include Wildes’ work in its Digital Art Library so that designers can specify his bold, dynamic drawing style as custom wallcoverings in their projects. Wildes’ “DC Metro Walls” artwork is just one of nine pieces by Interact artists that make up the collection that launched earlier this month. As a nonprofit committed to empowering artists with disabilities, Interact’s work is rooted in radical inclusion, an expanded definition of accessibility, and, ultimately, the power of human expression.  

Several sheets of abstract, colorful art paper arranged on a light surface, with one sheet featuring the hand-drawn text “ROADRUNNER” and a line-art bird.
Versa, Momentum’s manufacturing partner, will provide complimentary memos to support designers throughout the specification process. “Having physical samples gives our reps an incredible tool to bring the collection directly to the design community. Designers can experience the richness of the color, the nuance of the brushwork and the material itself firsthand. Details that are difficult to appreciate on a screen,” notes Interact director, Sarah Nelson.
A large wall mural featuring yellow shapes on a grey background sits behind a grey upholstered armchair.
DC Metro Walls by Devin Wildes: This artwork reimagines architectural forms of Union Station in DC through a bold, graphic lens. Defined by vibrant color and strong structural lines, the piece establishes a dynamic visual presence that enlivens spaces.

Momentum has also been reflecting on how design can better reflect different ways of experiencing the world. “At a time when AI is becoming such a significant part of our creative world, I think we’re craving the opposite: human connection, the evidence of the hand-made, and stories behind what we create,” says Sarah Nelson, Momentum’s creative director. “There is something incredibly powerful about knowing who made something and understanding the experiences, passions, and ambitions that shaped it.”  

The collaboration came about when Wildes’ mother and SANDOW Design Group’s very own executive vice president and design futurist, AJ Paron, made the introduction. In the Summer of 2025, Momentum visited St. Paul and had the chance to meet the artists in the galleries and studios. After looking through hundreds of pieces of artwork with the Interact team, “The energy, creativity, and stories we experienced left a lasting impression on all of us,” Nelson remembers.  

A large wall decorated with many colorful, hand-drawn scribbled circles, with a single grey armchair positioned in front.
Summer by Andy Seymour: Built from Seymour’s signature circular forms, Summer references memories of summers spent at his mother’s Minnesota lake cabin. The repeated shapes filled with vibrant shades create a lively sense of rhythm and symbolize people—sometimes family members or other artists in the studio.
A wall in a gallery covered with a grid of small, colorful abstract drawings, with one large framed abstract painting on the adjacent wall.
A gallery filled with Andy Seymour’s artwork. “For many years now, Andy has focused his work on forms of colorful circles and named most (or all?) of them Summer,” explains Forrest Seymour, the artist’s brother. “Some of the early works in this series included more representational elements that suggested Windfall. Over time, his work has become more abstract.”
A man in a wheelchair wearing a graphic t-shirt and baseball cap, posed in front of a gallery wall covered in colorful abstract art.
“Andy’s time at interact has been a blessing,” says Forrest Seymour. “He clearly loves to be there, enjoys the people, and the work. I know he finds pride and purpose through his art, and his work provides a way for him to stay connected with family near and far.”

Ultimately, the team selected works that they felt would translate beautifully into large-scale digital murals, while still honoring the spirit of each artist’s original work. “No two artists are the same and neither are the stories or experiences that shape the work,” says Nelson. “To me, that’s what makes this collection so relevant right now. It’s about creating more space for different voices and perspectives within design and recognizing that great art is great art—with no box or boundary.” 

Plus, a portion of collection sales will be donated to Interact to help support the organization’s mission challenging society’s perception of disabilities while building community connections. 

People working together at a large wooden table in an art gallery filled with paintings on the walls.
Interact artists working in the studio. Courtesy Minnesota Museum of American Art.
Two small white cafe tables with yellow chairs set against a large mural of colorful abstract flowers.
Tulips by Bill Crane: Tulips is an energetic representation of florals, conveying the vitality of nature through expressive pastel strokes. Layers of bright pinks, pale yellows, and sharp whites create a richly textured surface, bringing dimension and motion to the work.
A man in a wheelchair and a purple sweater sits at a table in an art gallery, facing a book titled “BILL GRACE” displayed among various paintings on the walls.
“Bill has one of the longest running tenures at the Interact studio,” says Brittany Kieler, gallery director, says about Interact artist Bill Crane. “It’s incredible to look through his archive, finding through-lines across hundreds of drawings and paintings from the last, almost, three decades.”

Paron couldn’t be more thrilled by how the collaboration has taken shape. “Not only does Interact give Devin access to different materials and mediums to experiment with, as well as resources to learn new techniques, more importantly, it has given him community,” she says. “I’m so excited that Momentum gave a vehicle for designers to support diverse artists and bring purpose behind a specification. It is hard work to keep programs like these running, so bringing the design community together to understand that their spec can make a difference in someone’s life—that is really powerful.”  

As for Wildes, he adds, “I am proud that people like my art. It will be big on walls and that makes me happy.” 

An assortment of square papers with colorful abstract drawings, sketches, and watercolor paintings arranged to capture creative momentum on a light surface.
A round white table and patterned chairs set against a wall mural of stylized snow-capped mountains and trees.
Snow Capped Mountains by Carl Clark: This artwork captures the quiet beauty of a winter landscape through its simplified forms and composition. Its cool palette and sense of stillness is well suited for environments seeking a calm, contemplative atmosphere.
A man in a black jacket and yellow cap stands in an art gallery beside several framed landscape paintings.
Clark (b. 1965) has practiced at Interact since 2016. In 2021, he presented work in WILD GOOSE, a two-person exhibition at Interact Gallery with New York-based artist Jack Arthur Wood, Jr. He has been featured in Interact’s booths at the Outsider Art Fair in New York.

 

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