September 15, 2021
The Milwaukee Symphony Orchestra Moves into a Restored Movie Palace
The Milwaukee Symphony Orchestra began evaluating the Warner Grand Theatre as a concert hall back in 2000, and at that time collaborated with Kahler Slater to determine whether the historic building was suitable for orchestral performances. To that end, they removed the first seven rows of seats at the front of the theater to build a wooden platform stage and secretly brought in the orchestra to validate the acoustic quality of the space. The results were positive, but the dot-com bubble and housing market meltdown put those plans on hold.
In 2016 the Milwaukee Symphony Orchestra announced plans to move into the space and construct a new adjacent welcome center. Work began two years later. For the design team and client, the primary objective was to increase accessibility and contemporary amenities across the theatre; elevators were threaded through the structure, and new bars and bathrooms were added to the symphony hall. Several of the infrastructural components are tucked away in the new glass-clad welcome pavilion, which, in the Milwaukee Symphony Orchestra’s drive to establish a more engaged relationship with the public, will host a number of programmed and community events.
“Getting the acoustics right in the theater was a big piece, and we have to give credit to our acoustician, Akustiks, who provided clear parameters and insight into how we could make this historic theater work,” says Christopher Ludwig, associate principal at Kahler Slater. “We had to design the stage volume so that it would project the right amount of acoustic pressure from the orchestra, and there are areas of tempering that can, say, calm the space by deploying various surfaces that are more absorptive.”
Though the former owner kept the building in good repair, there were several aspects of the interior that required work. Architectural art expert Conrad Schmitt Studios—the firm also managed the restoration of the West Baden Springs Hotel and the Ford Center for the Performing Arts, Oriental Theatre—was brought on at the early stages of the project to lead the restoration. For the most part, the job consisted of addressing water infiltration, the subsequent damage and mold, as well as the removal of grime (decades of cigarette smoke didn’t help). Particular attention was paid to the murals that line the symphony hall and the grand stairwell.
“For mural paintings, conservators tested small areas of each to identify the gentlest and most effective means to remove years of dirt and grime,” notes Eileen Grogan, director of historic preservation at Conrad Schmitt. “It was so exciting to see the brilliant colors emerge as the painting was cleaned, and the final steps included the application of a reversible barrier varnish, infill painting at areas of loss, and a final varnish to protect the surface of the conserved paintings.” Similar care was applied to areas damaged beyond repair, and the team developed creative solutions that matched original materials and fabrication techniques.
The conversion of the theatre into a symphony hall also required the construction of a new stage to accommodate the orchestra and back-of-house infrastructure. However, blowing out any of the elevations would have jeopardized the project’s $12 million in historic tax credits. Instead, contractor C.D. Smith moved the 625-ton east-facing elevation 35 feet with the help of four hydraulic rams and a unified hydraulic jacking machine, to make way for a new stage surrounded by infill concrete to the north and south.
The symphony began hosting virtual performances from their new digs back in February and is now set to open its doors to the public later this month. “One of our first events on September 26 will be open to the public,” concludes Erin Kogler director of communications at Milwaukee Symphony Orchestra. “It is important for us to be an integral part of the community, and we look forward to being a larger catalyst in the Westown neighborhood.”
Would you like to comment on this article? Send your thoughts to: [email protected]
What Will Our Virtual Reality Be?
The metaverse will be designed, but who will design it? And what will it look like?
Eugene, Oregon’s Hayward Field Puts Athletes on Center Stage
Portland-based architecture firm SRG Partnership has completely rebuilt the storied field.
Stratasys Envisions The Future of Fashion Through Direct-to-Textile 3D Printing
With support from research platform Re-FREAM, the additive manufacturing giant calls on top industrial designers to rethink everyday accessories with sustainability and inclusion in mind.