A modern two-story building with glass walls, designed by Lake Flato, overlooks a pond with a fountain; people walk and sit on benches under large trees on a sunny day.
Courtesy Andrea Calo

At Houston Zoo, Lake Flato Makes a Case for Architecture as Habitat

Designed as the latest piece of a decade-long masterplan, the new café uses mass timber, rainwater collection, bird-safe glazing, and passive strategies to align the zoo’s conservation mission.

In the 1960s, visitors to the Houston Zoo encountered a sea lion exhibit immediately after entering the park. In vintage photographs, the zoo’s rectilinear reflection pool is capped by a cramped square tank where trainers and a couple of the sea lions perch on a round, tiered Corbusian-like concrete pedestal under the blazing Texas sun.


Much has changed since then in how zoos approach animal welfare and visitors’ engagement with the natural world. In 2002, the Houston Zoo, founded in 1922, transitioned from a city-run parks department entity to a nonprofit, attracting philanthropic investment and realigning its mission to emphasize wildlife conservation, scientific advancement, and animal rescue, rehabilitation, and release. Its tagline is now “See Them. Save Them.”

A person walks along a shaded path near the modern Lucas Museum of Narrative Art, with its large windows and metal siding, surrounded by trees and lush greenery.
Courtesy Andrea Calo
A large glass wall reveals a view of trees and a wooden deck outside the Lucas Museum of Narrative Art; a person stands on the deck, and empty chairs and tables are visible inside the room.
Courtesy Andrea Calo

The San Antonio-based firm Lake Flato has been working with the zoo for nearly a decade on a masterplan that aligns the zoo’s 55-acre parcel with its motto, following a $156 million capital campaign. Lake Flato’s half a dozen or so projects have modernized the guest experience and created immersive exhibits where animals can thrive. A new restaurant and event space, Jack’s Café, is the most recent of these upgrades and serves as a sort of capstone for all of them—a sustainable gathering place that embodies the zoo’s broader shift toward architecture that is environmentally responsive, deeply connected to the landscape, and keeps the focus on the animals.

The 10,125-square-foot mass timber building is tucked into a constrained site flanked by an allée of oak trees. The café’s ground floor includes an all-electric kitchen (with a 4-Star Green Restaurant certification), bathrooms, and an ice cream parlor. Guests order and pick up their food under the shelter of the second-story event hall perched on slender steel columns. All of the dining occurs at outdoor tables. 

Spacious event room at the Lucas Museum of Narrative Art with round tables covered in black cloth, wooden chairs, large windows, wood ceiling, and a textured white wall art panel.
Courtesy Hufton + Crow
Exterior view of Jack’s Café with a wooden counter, green tiled wall, illuminated sign, and a pickup window next to a “Pickup” sign—just steps away from the Lucas Museum of Narrative Art.
Courtesy Andrea Calo
A hallway with a wood-paneled wall featuring the words “Reflections Event Hall and Terrace” in large letters and a LEED certification plaque mounted on the left wall, reminiscent of the sophisticated design elements seen at the Lucas Museum of Narrative Art.
Courtesy Andrea Calo

Upstairs, the event hall holds 150 people and is a gathering space the zoo never had before. “To have a high-end, flexible rental space is really important for them,” said Tenna Florian, a Lake Flato partner and co-leader of the firm’s Eco-Conservation Studio. “They studied some market demographics to show that people who wanted that size of event space were going to all the neighboring properties around them to rent, so they figured it would be a great amenity.” The warm, oak-lined room is almost fully glazed on three sides, with clerestory windows on the west-facing elevation and two monolithic skylights. The design team needed to find a balanced daylight strategy for the space—bright enough for a school group to eat lunch, but dimmable for presentations.

The event room’s outdoor porches look out over the reflecting pool to the south and the sea lions’ luxury digs in the Galápagos exhibit to the north, also designed by Lake Flato and opened in 2023. Both porches are protected by the building’s deep roof overhangs, which provide shade and help protect visitors from the region’s driving rains. “Making the overhangs as big as possible is often our goal in Texas and especially in Houston,” said Florian.

When the architects originally designed the café in 2018, they planned for an all-steel structure. But when the project went to bid shortly after the pandemic’s peak, steel prices had skyrocketed. “So we proposed mass timber, both for economic reasons and for environmental and biophilic reasons,” said Florian. “This is the first major architectural building that visitors see whenever they enter the zoo, at their front door. They really felt like that alignment was key, about who they are and how they practice.” The cafe is the first zoo building where staff can measure embodied carbon and water and energy use, helping it earn LEED Gold certification.

A woman and child stand by a fountain with a sculpture, surrounded by large trees and the Lucas Museum of Narrative Art in the background.
Courtesy Andrea Calo

The project retains some of its original schematic design in its steel columns, which nod to southern coastal environments where many buildings are elevated on stilts to lift living areas above storm surges and flooding. Steel can also weather Houston’s heavy rains, humidity, and relentless sun better than exposed wood, and it balances the timber’s heft with a touch of delicacy. “On these more vernacular coastal buildings, you would elevate the living space and have stairs going up. But underneath is where all the life happened. It’s where you ate, it’s where you cooked, it’s where you boiled your crawfish or fried your fish,” said Louisiana native and Lake Flato Senior Associate Sunnie Diaz. “We were able to play with something that does connect to the vernacular.”

Most of the café’s exposed elevations are clad in St. Joe brick from Louisiana, which is used elsewhere in the zoo. Temperature variations during firing and different amounts of pyrite create variations in the brick’s color, giving the façade a dynamic, mosaic quality. Another prominent feature of the café is an 18,000-gallon cistern on its southeast corner, which is primarily used for irrigation. Less immediately apparent is the use of bird-safe glass, key for a building in the middle of a tree canopy. The architects selected a Guardian product called Bird1st, which has a subtle acid-etched deterrent pattern. Etched dots on the outermost glass surface reduce reflections and last for the glass’s lifespan.

Jack’s Café ultimately makes a quiet case for architecture as another form of habitat: responsive to climate and place and designed to bring people closer to the natural world. “That’s kind of what Lake Flato preaches, is to make outdoor living rooms, whether it’s our house projects or eco-conservation projects, so that’s what we did at Jack’s Café as well,” said Florian.

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